Combing the white hair of the waves blown back. When the wind blows the water white and black. We have lingered in the chambers of the sea. By sea-girls wreathed with seaweed red and brown. Till human voices wake us, and we drown. “The Love Song of J. Alfred Prufrock” was originally printed in Poetry, June 1915.. ‘The Love Song of J. Alfred Prufrock’ had been written by T. S. Eliot, though, back in 1910-11, and made its debut in print in June 1915, when it was published in Poetry magazine.Previously, one poetry bookseller had rejected the poem on the grounds that it was ‘absolutely insane’: Harold Monro, an influential publisher and owner of the Poetry Bookshop in London, was offered the chance.

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One of the first true modernist poems, ‘The Love Song of J. Alfred Prufrock’ is a shifting, repetitive monologue; the thoughts of a mature male as he searches for love and meaning in an uncertain, twilight world. T.S. Eliot wrote his dubious love song in 1910-1911, but J. Alfred Prufrock didn’t appear in print until June 1915, when editor.. By barraging readers with a seemingly disjointed collage of images, T.S. Eliot uses the distinctly modernist style of Imagism to construct his poem, “The Love Song of J. Alfred Prufrock.”. Imagism, a literary movement closely linked to modernism, is based on the principles that poetry should be constructed of precise descriptions of.